Jim Smith Art Collections
Shop for artwork from Jim Smith based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Artwork by Jim Smith
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Antone's Blues Club Sign I I by Jim Smith
Scholz Garten by Jim Smith
Antone's Blues Club Sign by Jim Smith
St. Edward's University Old Main I I by Jim Smith
Yellow Rose by Jim Smith
Texas State Capitol Extension Construction I I by Jim Smith
Waterfalls I I by Jim Smith
Air Force Academy Chapel by Jim Smith
Commodore Perry Estate by Jim Smith
Karmann Ghia Convertible by Jim Smith
Bluebonnets and Cacti by Jim Smith
P-38 Lightning by Jim Smith
Shiner Beer Billboard by Jim Smith
Rolls Royce Grill I I I by Jim Smith
Karmann Ghia Coupe by Jim Smith
Hill Country Windmill by Jim Smith
Pacific Waves by Jim Smith
Azalea Blossoms by Jim Smith
Wild Mustang Statue I V by Jim Smith
Live Oak at Lion's Golf Course by Jim Smith
Austin Power Plant I V by Jim Smith
First Methodist Church by Jim Smith
Texas Memorial Museum by Jim Smith
Waterfalls X I by Jim Smith
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About Jim Smith
I have always had a great interest in the visual arts and finally decided to pursue photography in my mid-thirties in the early 1980’s. At that time, color photography had begun supplanting black & white for serious work in the photographic realm and I followed the trend. However, as I pursued my self-taught studies, the world of black & white began to intrigue me more and more. I was greatly influenced by the images of Ansel Adams, Walker Evans, Russell Lee, Margaret Bourke-White and Dorothea Lange. After shooting 35 mm for several years, I acquired a medium format camera and expanded my horizons. This eventually led to the acquisition of a large format field camera for serious black and white work.
As I increased my photographic knowledge and skills, I became interested in the other half of the photographic process, the darkroom. I have had a working darkroom since 1992 and in addition to processing my own film and prints, I printed for a fashion photographer for over 10 years. When that photographer gravitated to digital I decided to follow them while continuing my work with film. I became proficient in the necessary PhotoShop skills to enable me to retouch and print in the digital world.
I have now established a workflow that incorporates both film and digital. I continue to print traditionally in the darkroom, while also scanning and printing digitally, depending on the image and the final result I desire.